- mortar or lime powder
from burned out shell is then ground to a fine powder. The surface will shine up skin. If mixed by using
lime powder from fire stone the surface isn’t shine up skin.
- grace powder or holy
powder as Iittijae, Tri-ni-singhae, Pattamang, Maharaj and Buddhaku. Somdej Toh
making grace powder by remove from characters written into the slate.
- carpel from the altar
in the chapel.
- tang oil used as a
binder not a fractured calcareous.
- Buddhist mantra oil mixed-use
and calcareous materials together.
- mature jackfruit make
a yellow texture and cause the materials captured quick-freeze.
- banana and ripe
banana peel mixed with lime powder to make the texture tough.
- powder from a crushed
old antique amulets broken damaged as Soom Kor,.
- magic dirt to be
mixed with other material.
- ashes from incense
burns used as an ingredient make the texture is gray.
- molasses use the
texture coordinate.
- soil from various old
pagodas.
- rice remain after his
consumption.
- ore granule as white,
opaque, light gray.- gold mineral sands and silver mineral sands
- relics granule
characteristic yellowish white, from flour crushed stone or flour plaster, Buddha
old grind. Mixed with tung oil capture as grainy.
To build a Phra Somdej
Wat Rakang by Somdej Toh. He mixed lime
or mortar powder and other materials together as main stuff of the texture of Phra
Somdej Wat Rakang.In the past, was not used measurement. But using prediction and experience of try mixing several times. So main stuff are not the same. Some more mortar mix. Some little lime mixture. Some more banana texture mix. It caused the coarse texture or fine texture. So it’s make a different texture color of Phra Somdej.
No two Phra Somdej WRK are identical in every aspect of its quality even if it was made from the same Mold as well as its colour and texture.
The colour can range from White, Cream, Light Brown, Light Greyish, Light Yellowish etc.
This is a sample Phra Somdej (main stuff and muan san) Wat Rakang created by Somdej Toh.
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